Natalia Gutman
The renowned Russian cellist, whose new disc of Poulenc, Myaskovsky and Britten is out this month, gave a rare interview to fellow cellist ALEXANDER BOYARSKY. He began by asking about her influences.
The renowned Russian cellist, whose new disc of Poulenc, Myaskovsky and Britten is out this month, gave a rare interview to fellow cellist ALEXANDER BOYARSKY. He began by asking about her influences.
Photo: Accidents happen: Gutman changing a string in performance
"...It’s difficult to say who has influenced me the most – at different stages of one’s life one tends to look to different idols for different types of inspiration. First there’s my mother, a talented pianist who after the Second World War was permitted to borrow an upright piano. I used to admire all the music she played, and when I hear it now I feel nostalgic. Then there’s my stepfather, the cellist Roman Sapozhnikov. He bought me a small cello and started teaching me for fun. Of course, the fun was later to turn into something more serious, because I decided to play the instrument for the rest of my life. Finally, there are my cello teachers, all of whom gave me something.I practised without any sense of direction until I was 14 years old, at which point I started to search for musical guidance. Isaac Stern was the first to create a big impression, during his visit to Moscow. I managed to get into his concerts without tickets, and I can remember to this day the atmosphere in that hall, his inimitable sound, the beauty and freedom of his playing. Six months later I heard the pianist Sviatoslav Richter and fell in love with not only his playing but also his special personality. I never missed any of his Moscow concerts and got to know his repertoire really well.When I was 14 my grandfather, the violinist Anisim Berlin, who had been a student of Leopold Auer and concertmaster of the USSR State Symphony Orchestra for many years, started to teach me twice a week. He taught me for four years – and he was a great teacher. For many years, until I graduated from the Moscow Conservatoire, I also studied with Galina Kozolupova, and I attended Rostropovich’s concerts, which were a real education. I admired Rostropovich and entered his postgraduate class."
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